About Karine Mimoun,
French Mixed-Media artist

A practice Unlike Any Other

Karine Mimoun is a French mixed-media artist who has developed a practice entirely her own: large-format works that are simultaneously paintings and sculptures, built up in relief from hundreds of individually sculpted faces, each one distinct in form, expression and trompe-l’oeil treatment, assembled into fractal compositions where the individual dissolves into the collective and the fragment gives rise to the force of the symbol. Her work is immediately recognisable, technically demanding, and guided by a single founding conviction: that beneath the singularity of every human face, something holds us together.

At the foundation of her practice, Karine Mimoun has chosen the human face as her tesserae. Each face is sculpted by hand in clay, moulded, cast in plaster, then painted drawing directly from the natural world, the mineral, the organic, the elemental, as a reminder of our deep connection to the matter from which we are made.

Assembled on sculptural grounds whose textured reliefs radiate outward from the central figure, these faces give rise to symbols whose force far exceeds the sum of their parts. The experience of encountering these works is threefold: first hypnotic, as the eye moves from fragment to fragment, each face unique in its expression and surface; then seized by the power of the emerging symbol; finally meditative, held by the quiet continuous energy of the textured field that surrounds it.

What distinguishes this work is the convergence of the sculptural, the natural and the humanist into a single philosophical proposition. At a moment when questions of identity, belonging and collective memory are among the most urgent in contemporary culture, Karine Mimoun’s practice offers something rare: a visual language of genuine originality that asks what it means to exist as an individual within a collective consciousness, and what we are building together as fragments of a shared humanity.

Critical Recognition

« Karine Mimoun develops a singular artistic approach in which every fragment becomes a carrier of memory. By combining painting, sculpture and mosaic, she elaborates a visual language that unites the rigour of detail with the force of collective symbol, unfolding at several levels simultaneously: sensory, aesthetic and symbolic, summoning the memory of civilisations, collective consciousness and the unity of the living. »

Agathe Anglionin

Exhibition Curator, Art Critic,
Member of the CEA
(French Association of Exhibition Curators)

1-Cosmogony,
the Inaugural Collection

1-Cosmogony is Karine Mimoun’s inaugural collection, and its title says everything: the number 1 is not a sequence but a statement. Unity. The conviction that beneath the multiplicity of faces, civilisations and mythologies, something fundamental holds us together.

 

The collection includes five large-format works, four mixed-media paintings and one sculpture, each evoking a deity from a lost civilisation through her signature practice of sculptural mosaic. The Lamassu of ancient Assyria, the Moai of Rapa Nui, Khepri of ancient Egypt, Quetzalcoatl of Mesoamerica and Viracocha of the pre-Incan Andean world: five figures drawn from civilisations separated by centuries and continents, each one composed of hundreds of individually sculpted faces painted in trompe-l’oeil to evoke precious stones. Seen up close, the works reveal themselves as an accumulation of distinct human presences. Seen from a distance, those presences dissolve into the force of a symbol. The fragment and the whole. The individual and the collective. One.

Karine Mimoun’s Artistic Journey

Trained at the Haute École d’Arts Appliqués (HEAD) of Geneva (Switzerland), where she graduated with distinction and the congratulations of the jury, Karine Mimoun built her early career as an art director for luxury houses including Dior, Cartier, Guerlain, an immersion in the relationship between craft, material and meaning that left a permanent mark on her artistic sensibility.
Art was never far.

 

In 2010 she founded Madamepopandkids.fr, an innovative start-up transforming children’s drawings into personalised art objects, awarded the Prix de l’Entrepreneuse.
She was commissioned to create large-format paintings for restaurant and clubbing venues across France, and intervened as a practising artist for Dior and Louis Vuitton.

 

Each chapter of her career, however different in form, was driven by the same conviction: that art belongs everywhere, and that every medium is an opportunity to push it further.
In 2022, drawing on three disciplines she had explored and mastered separately, painting, sculpture and mosaic, she developed a visual language entirely her own, giving rise to 1 Cosmogony, her inaugural collection, three years in the making.

Selected Exhibitions

  • 2026 — Solo, Atelier Grognard, Rueil-Malmaison. 1-Cosmogony and small formats.
  • 2014 — Solo, Vernon. « Birds & Women »
  • 2005 — Solo, Salle Wagram, Paris. Large-format « Faces of icons »
  • 2004 — Solo, Palo Alto (Publicis Group), Paris.
  • 2001 — Group exhibition, Talent Brut, Paris Bercy

Awards & Distinctions

  • 2010 — Entrepreneur Award (France) category Product of the Year (Madamepopandkids.fr)
  • 1998 — Prize from the Cantonal Visual Art Fund, Switzerland), for museographic work at the Fondation BAUR, Geneva
  • 1997 — Board of Directors Award, HEAD Geneva for the quality of her graduating thesis

Education & Training

  • 1992–1997 — HEAD Genève. Higher diploma in visual communication, distinction with congratulations of the jury.

Become a patron

Support the next collection

2-Polarity, Karine Mimoun’s next collection, is where the vision expands into its full ambition: larger formats, a dedicated atelier, works that speak differently by day and by night. Be part of the story before it exists.